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The Renaissance Writing Tablet
The first reference to a Renaissance writing tablet I remember reading is in Shakespeare’s Hamlet, just after Hamlet’s first meeting with the ghost wherein the ghost tells Hamlet that Hamlet’s father the king was murdered by the king’s brother Claudius, Hamlet echoes the ghost’s last injunction to “remember me” in one of his soliloquies: Remember thee? Ay, thou poor ghost, whiles memory holds a seat In this distracted globe. Remember thee? Yea, from the table of my memory I’ll wipe away all trivial, fond records, All saws of books, all forms, all pressures past, That youth and observation copied there, And thy commandment all alone shall live Within the book…
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Memento Mori
The phrase memento mori is usually used in the context of a literary topos, that is a commonplace, or a motif in art. The New Latin (i.e. not Classical, but late Medieval or Early Modern Latin) is derived from Latin mementō, singular imperative of meminisse, “to remember’ + Latin morī, “to die.” Memento mori is conventionally translated as “remember that you have to die,” or the even less literal “remember your death” (AHD).” Death Comes to the Banquet Table Giovanni Martinelli (1600–1659) Image: Wikimedia commons Remember here has a cautionary connotation of “don’t forget.” The driving idea behind the tag (and the topos) is that all creatures die; we should…
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Halloween, Samhain, and such
It’s the time of year when I start seeing incredibly daft posts about the antecedents of Halloween, particularly Samain (Samhain, for you moderns). This year, I’ve created an FAQ about Samain, and what it means. For those of you already in the know, here’s a link to a translation by Kuno Meyer of the very odd Echtra Nera, mostly based on Eg. 1782. Echtra Nera is a tale tied closely to Samain, and features a sojourn in a síd, as well as the observation that “the fairy-mounds of Erinn are always opened about Halloween.” In the beginning of the tale, a dead man directs Nera to take him to a…
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Shakespeare’s Quartos, Digitized
The British Library has digitized its collection of 93 copies of the 21 plays by Shakespeare printed in quarto before the theatres were closed in 1642. Shakespeare’s plays appear to have been first printed in 1594. Titus Andronicus was probably the first one. Eighteen of Shakespeare’s plays were published in quarto editions before he died in 1616. Quartos are small and very portable (think modern paperback) books that were made by folding a large sheet of paper into quarters. The first collected “official” printing of Shakespeare’s plays was the 1623 “first folio” edition of 36 plays by Shakespeare. The first folio was a production of Shakespeare’s friends, including actors from…