July from the Hours of Henry VIII

Detail showing

Reaping,  the labor of July from the Morgan Library MS H.8 fol.4r. Illuminated by Jean Poyer
France, Tours ca. 1500

The calendar page for July from the Morgan Library’s MS H.8, fol. 4r

This book of hours image from the Morgan Library’s MS H.8 the Hours of Henry VIII shows the July labor of reaping the wheat. You’ll notice that they’re using short-handled sickles, rather than long-handled scythes. The idea is that you cut the tops of the wheat, the part bearing the grain, and first make a small bundle of it (on the ground). That’s what’s happening on the right side of the image, three men cutting the wheat.  Next the wheat is placed in bundles (on the ground) and then someone stacks them neatly on end, on the left. The three men cutting the wheat are an interesting group; it’s hot work, and two of them are working in shirts and Tbare feet, while the third is dressed in a dyed kirtle, stockings, shoes, and a hat. There’s a class difference. On the left, the fellow stacking the sheaves of wheat is also more fully dressed, while behind him another worker is drinking from one of the casks we’ve seen in several images, notably February and June. There’s another cask in the foreground, with, presumably, lunch, wrapped in the cloth.

 

June from the Hours of Henry VIII

The Morgan Library’s Hours of Henry VIII showing three men mowing the hay with scythes and two women raking it into pilesThis image from the Morgan Library’s Hours of Henry VIII’s calendar page for June shows the first mowing of the hay, a fairly common labor for June and one frequently illustrated in books of hours. On the left three men swing long-handled scythes to mow the hay, while on the right, women use rakes to heap the mown hay into piles or stacks for drying. After it is thoroughly dried, the hay will presumably be loaded into the wagon waiting in the background, behind piles of drying hay. The wagon is a little odd looking; I’m not sure it was meant to be drawn by horse, mule or ox, but instead was perhaps hauled by people.

In the front of the picture, on the right. at the feet of the women are the same small flat-sided casks we saw in the Hours of Henry VIII’s calendar image for February. The casks lie next to cloth-wrapped parcels that the Morgan Library suggests contain lunch for the workers, a reasonable supposition.

An interesting detail is that the men are working in their shirts, with bare legs, with the exception of the gentleman in white socks. Two of the men are wearing shoes, a wise precaution when swinging a sharp blade, while the women are barefoot. This saves shoe leather.

The central blue plaque at the center of the bottom border features the astrological symbol for June and July, Cancer the Crab.  There are some unidentifiable saints, or as the Morgan library puts it, “generic saints” but then identifies St. John the Baptist (he appears to be in the middle of baptizing someone) in the border on the right. The feast of his nativity, marked in the calendar gelow the main image, is June 24. The Morgan then identifies St. Eligius (feast June 25), a generic male saint, and saints Peter and Paul (feast of June 29).

May from the Hours of Henry VIII

Hours of Henry VIII
Morgan Library MS H.8, fols. 2v–3r  April and May

The May image from the Morgan Library’s MS H. 8 is on the right; f. 3r. It’s a fairly typical Maying scene, and one I’ve written about before. I still love the little dog, but I want to point out something I missed before, and notice in the Morgan Library’s notes about  the image.

There are two little dogs! There’s the one  near the couple and a second one on the track off to the right, leading into the woods.  Here:

 

Detail of the May calendar image Morgan Library MS H.8_fol._3r

I don’t think the two dogs are the same breed; the one in the trees is more hound-like. It looks to me like the couple in this scene is the courting couple featured in the April calendar image, picking flowers and making garlands. The trees look as if they’ve been pollarded, the lower limbs removed to allow for easier passage (and for burning), and to make it easier to gather nuts.

 

April from the Hours of Henry VIII

Detail from the Hours of Henry VIII Morgan Library MS. 8 f2v April

This detail is from the April calendar page of the Morgan Library’s Hours of Henry VIII MS. H. 8. It features one of the most popular past times featured in book of hours calendar images for the labors of April; the courtly springtime pastime of picking flowers. The scene looks to be set in an enclosed garden; a woman wearing a garland of flowers is braiding another. Next to her her erstwhile swain, appears to be offering her at least one of the two bunches of flowers he bears.

The Morgan library describes the man as a “foppishly dressed youth” and suggests that he is holding flowers which she will weave into a garland; that’s certainly possible, and it might explain his bored eye-rolling expression. He’s waiting, impatiently for her to take the next bunch of flowers. The flowers he is holding, the flowers in the garlands, and the flowers in the grass around the two people all appear to be the same; they’re not clearly delineated, and it is tempting to speculate that they are the ubiquitous Cornflowers *Centaurea cyanus* (Bachelor buttons in North America), a favorite in books of hours.

April from the Hours of Henry VIII Morgan Library MS. H8 f2v

Below the central image showing the April pastime, the calendar proper features the feasts of St. George (April 23), Peter the Martyr (April 29) and St. Eutropius (April 30). The border includes on the top right St. George slaying the dragon (click through for a larger image that’s zoomable).

In the border surrounding the calendar the center features the zodiac sign of Taurus the Bull in a blue rondel, then an image of Peter the Martyr, with the dagger used to stab him in the chest, and on the far right St. Eutropius, with the bishop’s crosier and the the axe used to kill him still embedded in his head.

March from the Hours of Henry The VIII

Detail showing pruning the vines March
Hours of Henry VIII Morgan Library MS H.8, fol. 2r

This March calendar page from The Hours of Henry VIII is a fairly typical March scene in terms of the labors of March depicted in a book of hours. Workers are pruning the grape vines. You’ll notice that it’s early enough that the vines are still without leaves. While it’s possible to prune vines later, it’s not a good idea as the vines will often bleed sap, which isn’t conducive to producing happy grapes. It’s also much easier to tie the vines to a supporting frame or arbor when they aren’t in full leaf but have leaf-buds. As the workers prune grape vines, they tie them to the arbor so that as the vines grow and sprout leaves and then grapes, the vines will have support.

Detail showing a billhook from Hours of Henry VIII Morgan Library MS H.8, fol. 2r

Picture of an Opinel No. 8 Pruning Folding Knife - Stainless Steel from Amazon

Amazon: Opinel No. 8 Pruning Folding Knife – Stainless Steel

You can see the pruning tool being used in the detail to the left. This is a Medieval billhook, a sort of all purpose agricultural tool with a double-edged curved blade and sometimes a short spike at the crown and a small hatchet-like blade on the outside edge. It’s perfect for a task like vine-pruning because you can slice the thinner vines with the curved blade and whack off those that are a bit thicker with the small hatchet. This is the same tool known as the falx or falx vinatoria used by the Romans to culivate vines. A modern vine pruning knife, while it often folds up and fits in a pocket, retains that curved cutting blade.

Picture of an Opinel No. 8 Pruning Folding Knife - Stainless Steel from AmazonOn the left the worker standing on the bench has a shock of fibers he’s using to bind the vines to the supporting framework of the arbor. On the ground, near the middle of the image in the front is a small flat-sided cask with a spout; this contained something for the workers to drink, possibly water, or water with vinegar and honey, and probably not wine.

In the bottom center of the calendar page is the astrological symbol for Aries, the Ram. The margins contain images  associated with feast days in March; St. Gregory for March 12, and the Annunciation on March 25 at the bottom right.

 

February from the Hours of Henry VIII

Detail from the calendar page for January
Book of Hours of Henry VIII Morgan Library MS. H f.1v
Jean Poyer, Tours, ca. 1500

Book of Hours of Henry VIII Morgan Library MS. H f.1v

This calendar page for February from the Morgan Library’s Hours of Henry VIII (Morgan MS. H.8 f1v) features a typical scene in terms of the the labors of February featured in books of hours; the master of the house is standing in front of the hearth, warming himself by the fire.

He’s wearing expensive clothing, indicated in particular by the fur trimming on his hat and overcoat, as well as the visible purse he wears.

The gentleman is standing in front of a substantial fireplace, with his back to the fire, and his is lifting the hem of his overcoat to warm his backside; a more delicate version of a similar scene from the Très Riches Heures calendar page for February.

There’s a wooden settle in front of him, set before a table with a meal waiting. In the background is a bed with burgundy cover and curtains. In the front of the scene to the viewer’s left, a servant is entering, carrying two flagons which the Morgan library identifies as wine flagons; I can’t help but be reminded of the astrological symbol for January, Aquarius, the water-bearer.

January from the Hours of Henry VIII

Detail from the calendar page for January
Book of Hours of Henry VIII Morgan Library MS. H f.1r
Jean Poyer, Tours, ca. 1500

 

Book of Hours of Henry VIII
Morgan Library MS. H f.1r

The calendar page for January from the Hours of Henry VIII (Morgan Library MS. H.8 f.1) features feasting in front of the fire, a typical labor for the month of January as depicted in books of hours. This illustration is an example of the “cutaway” scenes that featured in books of hours, with three panels.1)See for instance the February calendar image in the Très Riches Heures. On the far left the image shows the outside of the house. It’s clearly a snowy winter day. It’s snowing, and the ample wood pile is partially obscured by the falling snow.

The next vignette shows someone bringing in wood, while the central image features the master of the house at table, his back to the ample fireplace, dining, while the lady of the house sits on a low bench next to the hearth, warming her hands.

The border on the left shows images for the Feast of the Circumcision (on January 1). The medallion in the center of the bottom border contains the zodiac sign of Aquarius, the water-bearer.

 

_____________________________
January: Feasting and Keeping Warm (fol. 1)

Calendars in Books of Hours do not demarcate time by enumerating the days from the first to the last of the month, as seen in this January page, but, rather list the important liturgical feasts of the month.

Inside, the lord of the house sits at his meal, his back to the hearth,as his wife, closer to the fire, warms her hands.

While a heavy snow covers the land, a laborer carries a few logs from the woodpile into the manor.

When Calendars in Horea (Latin for “Hours”) were illustrated, they followed a tradition of depicting two vignettes in each month: the sign of the zodiac and the activity, usually agrarian, commonly undertaken during the season.

The borders illustrate some of January’s major feasts, including, at top left, the Circumcision (feast on January 1). At bottom center is the zodiacal sign Aquarius, the Water Carrier.

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Hooking Up: 12th Annual Schoenberg Symposium on Manuscript Studies in the Digital Age

This year’s symposium explores the connections between historic and current approaches to data linkage in regard to manuscripts and manuscript research. Hooking Up addresses the topic from a variety of angles and considers how the manuscript book operates as a vehicle for information retrieval and dissemination from the technology of the page and the textual apparatus of a book, to the library, and finally, the internet. We will also consider such questions as how medieval practices of memory shaped information retrieval and gathering, how did the technology of the manuscripts book—in all its many forms—facilitate or hinder information processing, how can medieval solutions inform modern technologies, and how do modern technologies illuminate medieval practices? The program will also feature sessions highlighting projects that are advancing linked data technologies for manuscript researchers.

See: Penn Libraries 12th Annual Schoenberg Symposium on Manuscript Studies in the Digital Age

Irish MS. Fragment Translates Medical Text by Avicenna

A family in Cornwall with Irish connections discovered an early printed book printed in London in 1534/1536 that had been owned by the family the sixteenth century. The small pocket-sized book is Latin manual regarding administration. At some point in the past a 15th century Irish manuscript on parchment was cut up, and a section was used to reinforce the binding of the printed book, a fairly common practice as bookbinders recycled medieval manuscripts.

Pádraig Ó Macháin, a University College Cork (UCC) Professor of Modern Irish was alerted to the existence of the MS. fragment and contacted the owner. Professor Ó Macháin is one of the founders of Irish Scripts On Screen (ISOS), a digital repository of manuscript images. He could determine from photographs that Irish text was an extract from a medical text. In August of 2018 John Gillis of TCD was given permission to carefully remove the manuscript fragment from the book’s binding, and digitize it for ISOS.

With the help of Professor Aoibheann Nic Dhonnchadha of the Dublin Institute for Advanced Studies, a specialist in the study of Medieval Irish medical texts, the Irish text was identified as a translation of a section of The Canon of Medicine, sometimes called The Canon of Avicenna by Persian physician Ibn Sena (980–1037), better known as Avicenna. The Canon is a Medieval medical encyclopedia, a core text for Medieval physicians. The fragment is from Book 1 of The Canon of Avicenna translated into Irish (with some scribal departures) from the Latin translation of Gerard of Cremona (d. 1187). The sections of

This is the first known early Irish translation of Avicenna’s Canon of Medicine. The status (or existence) of the rest of the manuscript that the parchment was taken from is unknown; I can’t help but wonder if additional fragments of the MS. were used to reinforce other books.

The images of the Avicenna fragment are available at the Irish Script on Screen site. A seminar about the fragment is being held at UCC today: Avicenna in Ireland and Medieval Medicine. See also

15th-century manuscript reveals links between Gaelic and Islamic worlds  and Fifteenth century manuscript reveals links between Gaelic and Muslim worlds

The Avicenna fragment attached to the book binding
Image Credit: Pádraig Ó Macháin
The Avicenna fragment removed and opened
ISOS images

Merlin Tale MS. Fragments Discovered

Seven fragments of parchment written in Old French have been discovered inside an unrelated 15th century work, in the archives of the Bristol Central Library in the UK. The fragments seem to be from a version of the Estoire de Merlin, one that is slightly different from the standard text. The fragments are from a section about the Battle of Trèbes, and include Merlin addressing Arthur’s troops with a stirring speech and, oddly, leading the attack carrying Sir Kay’s dragon standard, which includes a dragon that breathes actual fire.

There are some images of the text in the Guardian.